Saturday, November 17, 2007

Before the Devil Knows You're Dead

In most heist movies, the crime itself functions primarily as a plot device. Depicting a robbery gives the filmmakers a sweet opportunity to thrill the audience with a close-up look at the ins and outs of thievery, as well as plenty of shooting and blood-letting. Answering the question of why the heist is being committed isn't a priority: the vast sums of easy money are reason enough. What makes Before the Devil Knows You're Dead a singularly interesting heist film is that it addresses a fundamental fact overlooked in most heist films. Crime, first and foremost, is a symptom of pathology. Pathologies of psychology, of family dynamics, of economics, both personal and systemic. Sidney Lumet's film fractures the chronology and point of view to illuminate the conflicting motivations of the members of the Hanson family: brothers Hank and Andy, who decide to solve their respective money woes by knocking off their parent's jewerly store, and patriarch Charles, who has to deal with the wrenching fallout of their efforts. Each character has their own agenda and their own needs, and the film subtly evocks the sources of both. Andy, the mastermind, burns with familial resentment, as well as the restlessness and ennui of a well off man who has everything he could ever need, yet still feels empty, and is certain that just a little more will finally do the trick. Hank struggles under alimony demands and a nagging inferiority complex regarding his brother. Throughout this film, which focuses intently on the quiet, mundane moments that add up to create a person's emotional atmosphere, Lumet and screenwriter Kelly Masterson break up the action into prismatic, often silent sequences that all reveal crucial aspects of the chracters and their histories. Rather than explain how the heist is pulled off, these scenes are meant to show us why it went down, and it all adds up to a bracing portrait of contemporary American life and the essential sickness of many of our relationships and the hollowness of many of our dreams.

Shorter review: BTDKYD = A Simple Plan + In the Bedroom

Score: 8.8

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