Sunday, October 25, 2009

The Last House on the Right

For all their hatred of communism, American right-wingers tend to have a rather Stalinist view of art. If a film or song or book or television show doesn't ratify their beliefs, it's crap. I understand that the liberal hegemony of the entertainment industry is probably annoying for them, but living in a constant state of outrage over liberal brainwashing in mainstream media must be truly exhausting. It also leads them to write really embarrassing lists of "politically correct" pieces of popular culture, like bloated pile of man-dough John Hawkins did for TownHall.com. Intent on providing his fellow teabaggers with inspiring Halloween viewing, Hawkins has furnished a list of the top ten "conservative" horror films to enjoy during the season of the witch.

Hawkins shows himself to be a cinematic illiterate before he even gets into the list, writing that "there are almost no truly 'conservative' horror flicks." Now, if he means that there aren't a lot of horror films that feature a pointed critique of the estate tax, he's right, but in tone and structure, horror is by far the most reactionary film genre going. Almost every horror film features some terrifying external threat that cannot be reasoned with by pointy-headed intellectuals (or understood by pointy-headed scientists, if it's a supernatural evil), and must be destroyed by the naked and merciless application of violence at the hands of a steely-eyed lawman, a pious virgin, or a man of the cloth. Along the way, drug-users and/or the sexually active suffer painful and deserved deaths. If it weren't for that commie George Romero, Hawkins claim would seem completely incoherent.

Some of the entries are indisputable; pretty much any horror movie with a some variation of the word "exorcism" in the title, like the two Hawkins mentions, The Exorcist and The Exorcism of Emily Rose, can reasonably be construed as "conservative," in that they affirm the existence of Satan and, by extension, God, while also affirming the value of traditional beliefs and values.

A couple of Hawkins' suggestions are downright headscratching. The Fog? Silence of the Lambs? Apparently, there's something inherently conservative about fighting ghost pirates and serial killers. Choosing The Mist seems really odd considering that the main human antagonist is a hysterical holy-roller who whips up religious fervor and hatred in an effort to appease God with a blood sacrifice. Hawkins choses David Cronenberg's The Dead Zone due to it's depiction of "a deranged politician and the man who was willing to stop at nothing to to try to stop him from launching a nuclear war." Let's take the Wayback machine to the mid-80s, do a headcount of politicians and pundits seemingly eager to kickstart World War Three, and see how what party they're from. Hell, the right wing nearly revolted against Reagan for starting arms reduction talks with Gorbachev instead of more mindless nuclear saber rattling. If John Hawkins wants to place a bet that Greg Stilson wasn't a Republican, I'll give him great odds. And yet the real howler is Reanimator. I didn't know that movement conservatives were keen to watch a disembodied zombie head go down on a naked woman strapped to a table.

The schizophrenic attitude of conservatives to the federal government is displayed by two recent movies endorsed by Hawkins, Cloverfield and Quarantine. About Cloverfield Hawkins writes, "the military was in the thick of the action, bravely fighting against the Cloverfield monster and handling the situation the best way they could." Regarding Quarantine, he writes "when zombies infected with super-rabies are trying to kill you and the government shows up, count on them to to stand outside, picking their noses and trying to figure out what to do, while you struggle for survival. It's a timely and true message: Don't count on your government in a crisis." Unless, of course, it's the military, which, for some inscrutable reason known only to the acolytes of Reagan, doesn't count as the government. Bear in mind that the "government" forces in both of these cases react to the crisis in basically the same way: they isolate the affected area and write off everyone still alive within it. The only difference is that the very sight of the gun-toting manly men of the US military give conservatives instawood. It makes you think we could have fully socialized medicine in this country tomorrow if they just had the government-paid doctors wear camoflauge and carry M-4 rifles.

The crown jewel of the list, though, is the last film: The Tripper. I haven't seen this movie, because it's a straight-to-DVD slasher film directed by David Arquette, but according to John Hawkins, it's a GREAT conservative horror movie. Why? Because, in Hawkins' deathless prose, it features the "sweet, sweet joy of watching a guy in a Ronald Reagan mask taking an ax to dirty, drug addled hippies." Hawkins seems aware that the movie is supposed to be a joke at the expense of conservatives, but he doesn't care because the mere sight of a pseudo-Reagan murdering hippies is enough to send in off into a rich, vivid fantasy of bloody vengeance wreaked on those with the temerity to wear their hair too long. Hawkins calls it a "horror" film, but the way he talks about it, The Tripper might best be described as one of the top ten conservative porn films.




1 comment:

kswolff said...

I guess "Reanimator" was a handy substitution for "300" -- since there were parts that were scary. Well, the parts that didn't seem like they were imagined by Tom of Finland in Mordor.

Good call on outing conservatives as pop cultural Stalinists. Ball's in your court, Mr. Beck.